Latest Features

  • Features, Portfolios

    When I was seven years old, my mother dropped my brother and I off at a movie theater on a summer afternoon to see "The Amazing Colossal Man", one of many cheaply made science fiction movies...

    details
  • In Motion

    Ulu Braun’s Atlantic Garden (2010) is a video collage depicting a slow, rotational pan around the center of the grounds of an unidentified coastal mansion. It is composed...

    details
  • In-B/ B.D.

    Amongst the burgeoning creativity in Paris of the nineteen-twenties, the artist Man Ray, born Emmanuel Radnitzky,expanded the horizons of photography well beyond its representational means, and through relentless darkroom experimentation, liberated that medium from its place as a mirror to nature. His chosen name would come to reflect that mysterious and intrepid realm his photographs occupied in Modern Art. If the famed British inventor Henry Fox Talbot was to...

    details
  • Interviews

    The Background Noise work arose entirely out of chance and accident. I was scanning a negative, and somewhere along the way the file corrupted. The resulting image exhibited traces of its source, but was largely ruptured, an example of the kind of schism that permeates the digitization process. I was drawn to the mishap from an aesthetic standpoint, but even more so it underpinned an anxiety that I felt...

    details
  • Interviews

    On March 21st, 2014, the collaborative duo Nate Larson and Marni Shindleman took to Facebook, Twitter, Instagram, and Snapchat to answer questions by In the In-Between writer Luke Shaw. This conversation began with the question: How can human intimacy can be attained through digitally mediated dialogue?

    details
  • Portfolios

    I exploit magazines because I like to respond to what I see every day, I don't accept the found reality. In my work I want to transfer the found photographs by very simple means into a new aesthetic context. I want to revitalize the found photographs. Like in a centrifuge I try to dissect, filter and distil the images since I can create really new identities and creatures, so that the new faces and bodies exert their effect at first sight. Similar to a modern DJ who samples different tracks...

    details
  • A Closer Look

    There was a moment at the turn of the century at which digital imaging technologies matured, at which the aesthetics of photo-realism ascended beyond the digital kitsch experiments of the previous decade. The mastery of digital tools spurred a re-evaluation of and insight into the photographic canon, and pictorial genres of the past began to...

    details
  • Interviews

    Humor, subversiveness, and satire are all words that come to mind when viewing the F series' by Spanish artist José Camara. Within the found photographs, family pictures, and images...

    details
  • In Motion

    For the last few years I’ve been using “installation view” photographs as sources for works examining our online encounter with art set in physical spaces. As someone who lives away from major art cities and centers, I’m drawn to the material and conceptual conditions that surround the careful composition, presentation...

    details
  • Features, Portfolios

    At some point it began to matter to me how I thought about Robert Frank's The Americans. To be sure, the book had for some time served as a reference for me, a kind of Strunk & White for photography...

    details
  • Interviews

    With so much chatter lately about the use of surveillance technologies in photography today, and with one critic even referring to it as an emergent genre of image-making, Andrew Hammerand's series The New Town both acknowledges...

    details
  • Interviews

    The various series' presented here by Christopher Meerdo largely reflect a counterpoint to the use of digital imaging technology to strive for the perfect and flawless picture. In his projects Anthologies and...

    details
  • Portfolios

    Through the Go ogle series I seek to examine the visual experience of the internet, proposing a visual means of exploring encounters with the increasingly ubiquitous screen-based landscapes through which we routinely meander. Although these...

    details
  • Interviews

    The images of architectural structures in Adam Ryder's Selections from the Joint Photographic Survey function as relics from a rediscovered archive of a geological and cultural survey of the Holy Land. Ryder presents these pictures as selections from an ambitious FSA-like project between two factions who occupied lands that exist now as Israel, Palestine, and Jordan...

    details
  • In-B/ B.D.

    Burgess Franklin Collins, born August 6, 1923, began his adult life showing a great deal of promise in the sciences. He majored in Chemistry at the California Institute of Technology, and in 1943 was drafted..

    details
  • Portfolios

    When examining our daily contemporary lives in western culture, one finds that there is barely a single situation that is not influenced by digital technology and communication through the World Wide Web...

    details
In the In-Between presents:
Another Twenty-Six Gas Stations


Available soon, learn more here