I photographed museum interiors, exhibitions and gadget stores, and also delved into archival materials. I tried to confront myself with photographic reproductions of varying quality and scale. My aim was to show my favorite statues as objects, which arouse ambiguous associations. I tried to distort the usual view of sculptures and finally destabilize a natural sense of order. My technique involved the free manipulation of images. I created new equivalences and relationships – the internal juxtapositions are far detached from the original context of images.