Features

A column of special features and reports by contemporary photographic writers and critics. Contains special conversations, reviews, essays, profiles, and more.

As seen in Plato’s allegory of the cave, all of us are constantly caught between fictions and realities, battling on the thin line between pleasure and pain. “Wozu” is a series that show the states of inner collision among scared egos –individuals that want to look away from the truth and who, despite the clamor of voices around them, remain largely silent.

In living memory, global populations of fishes, birds, mammals, amphibians, and reptiles more than doubled what remains today. In a geological blink-of-the-eye, half of the earth’s species will be threatened with extinction. This loss will crescendo by the end of the century. Photographic artists across the medium are grappling with this unfathomable change. The forty-six works in Now You Don’t: Photography and Extinction make the biodiversity crisis increasingly perceptible, and gesture toward a contemporary aesthetics of endangerment and species loss.

Those are real places where it all occurred, real objects and real notes exchanged by the lovers. “Tornaras”, in a sense, are photographs that take the form of a long and intimate letter to someone’s memory…

I began #InHonor as a personal response to the killings of Black people across America. To be completely honest the work was born out of guilt. All of my friends had rallied up in arms to march for Trayvon Martin and Eric Garner. I, on the other hand, was nowhere to be found. I felt guilty.

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