The work of Matthew Swarts can be described as pictures brought back from the dead. As an artist of appropriation, he re-conditions found images through both digital and printing processes. Writing this interview let me to spend a long time thinking about the meaning of images whose intentions have long since been forgotten, and in a sense I’m intrigued by Swarts’ interest in recycling these types of pictures. In the act of re-purposing, he breaths into these images new life and new meaning.
Manipulation
British Artist Helen Sear’s dual series, Inside the View and Beyond the View, expresses variations on themes of female strength, passivity and defiance. Through the use of super-impositions and digital drawing, she presents to us anonymous portraits of women layered under foils of flower motifs, intimate landscapes…